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Wednesday 1 March 2017

WHEN THOU COMMANDEST ME TO SING

When thou commandest me to sing it seems that my heart
would break with pride; and I look to thy face, and tears come to my eyes.
All that is harsh and dissonant in my life melts into one sweet
harmony—and my adoration spreads wings like a glad bird on its
flight across the sea.

I know thou takest pleasure in my singing. I know that only as a
singer I come before thy presence.
I touch by the edge of the far-spreading wing of my song thy feet
which I could never aspire to reach.
Drunk with the joy of singing I forget myself and call thee friend

who art my lord.

THREE CLUES TO FAMILY BEHAVIOUR

Study the table arrangements of a family carefully.
Who takes a seat first and where? A psychologist friend
of mine who has made a study of table seating analysed
the positioning of a family of five in terms of the family
relationships.

'In this family,' he explained, 'the father sits at the
head of the table, and he is also the dominant member of
the family. His wife is not in competition with him for
dominance, and she sits to his immediate right. The
rationale is that they are close enough to share some
intimacy at the table, and yet they are also close to the
children.
'Now the positioning of the children is interesting.
The eldest girl who is in competition with the mother
for the father's affection, on an unconscious level, sits
to the father's left, in congruence with the mother's
position.

'The youngest, a boy, is interested in his mother, a
normal situation for a boy, and he sits to her right, a space
away from his father. The middle child, a girl, sits to her
sister's left. Her position at the table, like her position in
the family is ambivalent.'

What is interesting about this arrangement is the
unconscious placement of all the members in accordance
with interfamily relationships. This selecting position
can start as early as the selecting of a table. There is
more jockeying for dominance possible around an
oblong table than around a round one.

The positioning of the husband and wife is important
in understanding the family set-up. A husband and wife
at either end of a long table are usually in conflict over the dominant position in the family, even if the conflict exists on an unconscious level.
When the husband and wife choose to sit diagonally,
they are usually secure in their marital roles and have settled
their conflict one way or the other. Which one sits at
the head? Of course, if the table is small and they face each other
across it, this may be the most comfortable position for
intimacy.

Positions at a table can give a clue to dominance within
a family. Another clue to interfamily relationships lies in
the tightness or looseness of a family.
A photographer friend of mine was recently assigned
to shoot some informal pictures of a mayoral candidate in
a large Midwestern city. He spent a day with the family
and came away muttering unhappily:
'Maybe I got one decent shot,' he told me. 'I asked
him to call his dog and it was the only time he relaxed.'
Asked to explain, my friend said,' The house was one
of those up-tight places, the tightest one I've ever been
in. Plastic covers on the lamp shades, everything in place,
everything perfect - his damned wife followed me around
picking up flashbulbs and catching the ashes from my
cigarettes in a tray. How could I get a relaxed shot?'
I knew what he meant for I have seen many homes like
that, homes that represent a 'closed' family. Everything
about the family is closed in, tight. Even the postures
they take are rigid and unbending. Everything is in place
in these neat, formal homes.

We can usually be sure that the family in such a home
is less spontaneous, more tense, less likely to have liberal
opinions, to entertain unusual ideas and far more likely
to conform to the standards of the community.
By contrast the 'open' family will have a lived-in look to their house, an untidy, perhaps disorganized
appearance. They will be less rigid, less demanding, freer
and more open in thought and action.
In the closed family each member is likely to have his
own chair, his own territory. In the open family it
seldom matters who sits where. Whoever gets there
first belongs.

On a body-language level the closed family signals its
tightness by its tight movements, it formal manner and
careful posture. The open family signals its openness by
looser movements, careless postures and informal manners.
Its body language cries out,' Relax. Nothing is very
important. Be at ease.' The two attitudes are reflected in a tactile sense by the
mother's behaviour with her children. Is she a tense,
holding mother or a relaxed, careless one? Her attitude
influences her children and is reflected in their behaviour.
These, of course, are the two extreme ends. Most
families fall somewhere in between, have some amount of
openness and some closedness. Some are equally balanced
and some incline towards one or the other end of
the scale. The outsider studying any family can use
openness or closedness as a clue to understanding it. A
third and equally significant clue is family imitation.
Who imitates whom in the family? We mentioned before
that if the wife sets the pace by initiating certain
movements which the rest of the family follow, then
she is probably the dominant partner.

Among brothers and sisters dominance can be easily
spotted by watching the child who makes the first move
and noticing those who follow.
Respect in a family can be understood by watching
how body language is copied. Does the son copy the
father's gestures? The daughter the mother's? If so we can be reasonably sure the family set-up is in good shape.

Watch out when the son begins to copy the mother's
movements, the daughter her father's. These are early
body-language warnings. ' I am off on the wrong track.
I need to be set straight.'
The thoughtful psychologist, treating a patient, will
try to discover something of the entire family set-up and,
most important, of the place of his patient in the family.
To treat a patient as an individual aside from his
family is to have little understanding of the most important
area of his life, his relationship to his family.

Some psychologists are beginning to insist on therapy
that includes the entire family, and it is not unlikely that
some day therapists will only treat patients within the
framework of the family so that they can see and understand
all the familial relationships and understand how
they have influenced the patient.

Our first relationship is to our family, our second to
the world. We cannot understand the second without
thoroughly exploring the first.

THOU HAST MADE ME ENDLESS

Thou hast made me endless, such is thy pleasure.
This frail vessel thou emptiest again and again,
and finest it ever with fresh life.
This little flute of a reed thou hast carried over hills and dales,
and hast breathed through it melodies eternally new.
At the immortal touch of thy hands
 my little heart loses its limits
in joy and gives birth to utterance ineffable.
Thy infinite gifts come to me only on these very small hands of

mine. Ages pass, and still thou pourest, and still there is room to fill

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